| Gamal Abdelrahim |
Duo for violin and cello
Meditation |
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| Louis Andriessen |
Workers Union
Dances |
|
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| John Adams |
Shaker Loops |
|
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| Frangis Ali-Sade |
Mirage
Mugam-Sajahy
Tree Watercolours |
|
|
| Antonis Anissegos |
Orbis Tertius, for Ensemble
Unununium, for Elektronics |
|
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| George Antheil |
Lithuanian Night
A Jazz Symphony
Violinsonate Nr. 2
Diverse Werke für Piano |
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| Gheorghi Arnaoudov |
Incanation dans la Lumiére – Rituel II
Thyepolia
Kells |
|
|
| Ali N. Askin |
Never Can say Goodbye / Concert for prepared piano, strings and percussion (2012, UA)
String Street, for solo viola (2004) |
|
|
| Béla Bartók |
Music for string instruments, celesta and percussions
Sonata for two pianos and percussion
Contrasts |
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|
| Mohammed Basha |
Enawy, an Arabic Vision |
|
|
| Patrick Bebey |
Timba
Sanza Tristesse |
|
|
| Alban Berg |
Seven early songs
Songs and arias of Lulu, from the opera “Lulu” |
|
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| Marco Betta |
Piccola Serenata II |
|
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| Luciano Berio |
Folk Songs
Sequenza III, for female voice |
|
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| Sandeep Bhagwati |
X-Kreuzwege (Musik – Theater – Installation)
Alaam Al Nithral (2. Streichquartett) |
|
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| Minas Borboudakis |
Entropic Polyphonies
Diamaxai a |
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|
| Earle Brown |
Four Systems |
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|
| Gavin Bryars |
Four Elements |
|
|
| John Cage |
Aria (Versionen Anna Clementi / Maria Rosendorfsky)
Atlas Eclipticalis
A Flower
Four, für Streichquartett
Four 6, für verschiedene Klangerzeuger
A Room, Version für Viola
Sonatas and Interludes, for prepared piano
Forever and Sunsmell, for voice and percussions
In a Landscape
Seven 2, for ensemble
Amores, for piano and 3 percussions
Credo In US, for percussionists and dj
But what about noise of crumpling paper
String Quartet in Four Parts Branches, for percussions fromn plants (1975)
Nowth Upon Nacht, for voice and piano (1985)
Thirteen Harmonies, Version für Cello und Akkordeon (1986)
Eight Whiskus, Versionen für Violine und Stimme (1985)Living Room Music (1940)
Concert for piano and orchestra (1957/58)
Second Construction, for Percussion-Quartett (1940)
Six Melodies (1950)
A Flower, for voice and closed piano (1950)
The Wonderful Widow Of 18 Springs, for voice and closed piano (1942)Timelength-Pieces:
34´46.77622 for a pianist
45´ for a speaker, 26´1.1499´´ for a string player
27´10.554´´for a percussionist |
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| Elliott Carter |
4 Pieces for four Timpani |
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|
| Henry Cowell |
The Tides of Manaunaun
The Irish Suite, Version for ensemble
Polyphonica |
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| George Crumb |
An Idyll for the Misbegotten
Makrokosmos I for amplified piano |
|
|
| Luigi Dallapiccola |
Piccola Musica Notturna |
|
|
| Claude Debussy |
Prélude à l ́Après-midi d ́un Faune (Version for chamber orchestra
Les Chansons de Bilitis, for voice, 2 flutes, two harpes and celesta
Trois Poèmes de Stéphane Mallarmé
Syrinx
Danse Sacrée et Danse Profane
Works for voice and piano
Works for solo piano |
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|
| Edisson Denissow |
Es ist genug, Variationen über ein Thema von Bach, für Ensemble |
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| Jocy de Oliveira |
Solaris, for oboe, playback and electronics (1988) |
|
|
| Violeta Dinescu |
Vortex-Wolken, for ensemble (UA)
Tabu, music for the film, for chamber orchestra
Weiß wirkt Wunder |
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| Anja Djordjevic |
Songs, for Voice Ensemble and Electronics |
|
|
| Tan Dun |
A Sinking Love, for string quartet |
|
|
| Hanns Eisler |
Fünf Orchesterstücke |
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|
| Hamza El Din |
Escalay, for string quartet |
|
|
| Georges Enescu |
Prélude a l’Unisson |
|
|
| Morton Feldman |
The Viola in My Life II, für Viola und Ensemble
Piano and string quartet
Why Patterns?, for flute, piano and percussion
Patterns In A Chromatic Field, for cello and piano
Only, for solo voice
Principal Sound, for organ
Palais De Mari, for piano |
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| Jelena Firssowa |
Odyssee, for ensemble |
|
|
| Bernd Franke |
Cut I-III, for string quartet
For Elliott Carter, for timpani
half-way house-SOLOXFACH für Joseph Beuys, for ensemble
I met Feldman at the crossroad, for string quartet
Versuch zur Nähe, for ensemble |
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| George Gershwin |
Rhapsody in Blue
(original version for jazz orchestra) |
|
|
Carlo Gesualdo/
Salvatore Sciarrino |
I Voci Sotto Vetro, for voice and ensemble |
|
|
| Henryk Gorecki |
Streichquartett No.1“Already It Is Dusk“
O Domina Nostra, for soprano and organ |
|
|
| Atsuhiko Gondai |
Cosmic Sex, für Ensemble |
|
|
| Michael Gordon |
Industry, for cello and electronics |
|
|
| Annie Gosfield |
Cranks and Cactus Needles, for ensemble |
|
|
| Jürgen Grözinger |
diverse Werke* siehe Extra-Liste |
|
|
| Gérard Grisey |
Vortex Temporum
Sortie Vers La Lumière Du Jour
Périodes
Berceuse, aus Quattre Chants Pour Franchir le Seuil (Arrangement: B.Pauset)
Prologue, for solo viola |
|
|
| Sofia Gubaidulina |
Garten von Freuden und Traurigkeit
Detto I
In Croce |
|
|
Pelle Gudmundsen-
Holmgreen |
Plateau pour Deux, for cello and percussion |
|
|
| Georg Friedrich Haas |
Stringquartet No2
Stringquartet No 10, to be played in total darkness
Dido, für Sopran und Streichquartett |
|
|
| John Harbison |
November 19, 1828 |
|
|
| Lou Harrison |
First Concerto for Flute and Percussion
Solstice |
|
|
| Hans Werner Henze |
Quattro Fantasie, for ensemble |
|
|
| Toshio Hosokawa |
Slow Dance, for ensemble |
|
|
| Klaus Huber |
Die Erde bewegt sich auf den Hörnern eines Stiers,
für arabische Musiker, Gitarre, Viola und Zuspielung |
|
|
| Clara Ianotta |
Dead wasps in the jam-jar (iii), for Stringquartet & Elektronics
The People Here Go Mad They Blame The Wind, for ensemble |
|
|
| Alfredo Impulliti |
Tre Improvvisi per Launeddas & Ensemble |
|
|
| Charles Ives |
Tone Roads No.1
The Unanswered Question
Four Ragtime Dances |
|
|
| Leos Janacek |
Streichquartett Nr. 2 „Intime Briefe“ |
|
|
| Ben Johnston |
Gambit, für Ensemble |
|
|
| Mauricio Kagel |
Tango Alemán |
|
|
| Gija Kantscheli |
Instead of a Tango
Tagesgebete
Nightprayers, für Sopransaxophon, Streichquartett und Tape |
|
|
| Mokale Koapeng |
Komeng
Motswako |
|
|
| Shiris Korde |
Lalit, für Cello und Tabla
Anusvara, für Sopran und Cello |
|
|
| Maria Koval |
Ungeschriebene Briefe
Une Demande |
|
|
| Jay Aaron Kernis |
100 Greatest Dance Hits |
|
|
| Wilhelm Killmayer |
Blasons anatomiques du corps feminine, für Sopran u. Ensemble |
|
|
| Yves Klein |
Symphonie Monotone-Silence (arr. zignorii++) |
|
|
| Francesco LaLicata |
L ́’Essenza e il soffio’, für Ensemble und Elektronik |
|
|
| Bernhard Lang |
Ophelia, aus Book of Songs – für Stimme und Ensemble |
|
|
| David Lang |
Cheating, Lying, Stealing
Men (Auftragswerk für EMP)
Death Speaks
Heroin (Loud Reed; arrang. von D.Lang für Cello und Klavier) |
|
|
| Alisher Latif-Zadeh |
Nayohang |
|
|
| György Ligeti |
Konzert für Violoncello und Kammerorchester
Études pour Piano (Ausschnitte) |
|
|
| Cort Lippe |
Music for Hi-Hat & Computer |
|
|
| Bruno Maderna |
Serenata per un satellite, für Ensemble |
|
|
| Gustav Mahler |
Lieder eines fahrenden Gesellen, für Stimme und Ensemble (arr. A.Schönberg) |
|
|
| Ljubica Maric |
Torso, für Violine, Cello und Klavier |
|
|
| Olivier Messiaen |
Quattour pour la fin du temps |
|
|
| Darius Milhaud |
La Création du monde
L’Homme et son Désir
Machines Agricoles
Les Songes
Suite
Trio |
|
|
Wolfgang Amadeus
Mozart |
Quintett für Klarinette und Streichquartett, KV 622 |
|
|
| Brigitta Muntendorf |
Shivers On Speed, für Ensemble |
|
|
| Detlev Müller-Siemens |
Variationen über einen Ländler von Schubert, für Ensemble |
|
|
| Tristan Murail |
Treize Coleurs du Soleil Couchant, für Ensemble |
|
|
| Luigi Nono |
Sofferte Onde Serene, für Klavier und Zuspielung (1976)
Hay Que Caminar Sognando, für 2 Violinen (1989) |
|
|
| Michael Nyman |
Sonetti Lussoriosi, für Sopran und Ensemble |
|
|
| Samir Odeh-Tamimi |
Eine Erinnerung an das Vergessen (2006), für Klavier
Jabsurr (2009), für Violoncello und Klavier
Zikkrá (2003), für Schlagzeug solo
Li-Umm-Kámel, Fassung für Violoncello, Klavier und Schlagzeug (2013, UA) |
|
|
| Leo Ornstein |
Suicide in an Airplane, für Klavier
Wild Men’s Dance, für Klavier |
|
|
| Jens-Peter Ostendorf |
Septett /Geschichte vom… |
|
|
| Milica Paranosic |
Al’ Airi Lepo Sviri , für Violine und Zuspielung |
|
|
| Arvo Pärt |
Fratres, for Stringquartet
Psalom, for Stringquartet
Mirror In The Mirror, multiple versions |
|
|
| Hans Pfitzner |
Acht Eichendorff-Lieder (Bearb. von J. Rieger) |
|
|
| Astor Piazolla |
Five Tango Sensations, for Bandonéon and Stringquartet
Fuga y Misterio, for ensemble |
|
|
| Irena Popovic |
Dodole (comissioned by DLF) |
|
|
| Francis Poulenc |
Le Bal Masqué, für Bariton und Ensemble
Le Bestiaire, für Ensemble
Rhapsodie Nègre, für Ensemble |
|
|
| Maurice Ravel |
Chansons Madécasses
Trois Poèmes de Stéphane Mallarme |
|
|
| Steve Reich |
Marimba Phase
Clapping Music
Eight Lines (Octet)
Music for Mallet Instruments Voices and Organ
Music for Pieces of Wood |
|
|
| Ottorino Respighi |
Il Tramonto, für Mezzosopran und Streichquartett |
|
|
| Wolfgang Rihm |
Erscheinung, Skizze über Schubert
Chiffre…(Musik zu « Un Chien Andalou ») |
|
|
| Terry Riley |
In C, for ensemble & dj
Sunrise of the planetary dream collector, for Stringquartet |
|
|
| Fausto Romitelli |
Domeniche alle Periferie del ́Impero/II.Domenica |
|
|
| Nino Rota |
Fellini-Suite (arr. A. Franceschini) |
|
|
| Frederik Rzewski |
Attica (Coming Together II) |
|
|
| Kaia Saariaho |
Changing Light, for soprano and violin
Nocturne, for solo violin |
|
|
| Erik Satie |
7 Gnossiennes (arr. J.Grözinger, forr vibraphone and piano)
Trois Gymnopédies
Les Anges, Elégy, Les Fleurs, Air Du Poète (arr J.Grözinger)
4 Ogives (arr. J.Grözinger)
Hymne (arr .J.Grözinger)
Le Piège de Méduse, Version für Cello, Akkordeon und Perkussion
Sports et Divertissements, Version für Akkordeon (Franka Herwig) |
|
|
| Rebecca Saunders |
Into the Blue |
|
|
| Giacinto Scelsi |
Canti del Capricorno
Pranam II
I Riti – Funerali di Allesandro
I Riti – Il Funerale di Carlo Magno
Khoom
Hyxos
Okanagon |
|
|
| Salvatore Sciarrino |
D’un Faune
Muro d ́Orizzonte Lo Spazio Inverso
I Voci Sottovetro, für Stimme und Ensemble, nach Gesualdo
Introduzione all ́oscuro
Notturni Crudeli, für Klavier
Notturni, für Klavier
Ai Limiti della Notte, für Viola solo |
|
|
| Dieter Schnebel |
B-Dur Quintett (Tradition 2/1)
Yes I Will Yes (Part III), für Stimme, Schlagzeug und Zuspielung |
|
|
| Alfred Schnittke |
Hymnen 1-4
Kleine Tragödien |
|
|
| Arnold Schönberg |
Verklärte Nacht, für Streichsextett
Fünf Orchesterstücke, op.16, arr. for chamber orchestra by the composer
Kammersymphonie (Bearb. von Anton Webern)
Lied der Waldtaube (Vers. für chamber ensemble by A.Schönberg)
Pierrot Lunaire
Drei Klavierstücke, Op 11 |
|
|
| Franz Schreker |
Chamber Symphony |
|
|
| Franz Schubert |
Mignon (arr. Aribert Reimann), for soprano and string quartet
Hommage aux Belles Viennoises op. 67, for chamber orchestra
Grätzer Walzer op. 91a, for chamber orchestra
Der Hirt auf dem Felsen (Original + arr.for Ensemble by Antonis Anissegos)
Nacht und Träume (Original + arr.for Ensemble by Antonis Anissegos) |
|
|
| Erwin Schulhoff |
Suite for chamber orchestra |
|
|
| Stepha Schweiger |
The Mark On The Wall, Musiktheater nach Virginia Woolf |
|
|
| Giovanni Sollima |
Studio di Aquilastro
Voyage |
|
|
| Bent Sorensen |
Mondnacht
The Wings of Night |
|
|
| Bojidar Spassov |
Fiato Continuo III, für Oboe und Tape |
|
|
| Klaus Hinrich Stahmer |
There is no return
Zwei Mbiras, for two pianos |
|
|
| Rudi Stephan |
Musik für sieben Saiteninstrumente |
|
|
| Karlheinz Stockhausen |
Tierkreis
Gesang der Jünglinge im Feuerofen, für 4-Kanal-Zuspielung |
|
|
| Johann Strauss |
Kaiserwalzer (arrangement: A. Schönberg)
Wein, Weib und Gesang (arrangement: A. Berg)
Schatzwalzer (arrangement A. Webern) |
|
|
| Igor Stravinsky |
L’Histoire du Soldat, for Ensemble
Ragtime, for Ensemble |
|
|
| Viktor Suslin |
Sonate for Cello and Two Percussions |
|
|
| Toru Takemitsu |
Orion, for Cello and Piano |
|
|
| Justinian Tamasuza |
Mu Kkubo Ery ́Omusaalaba, for string quartet |
|
|
| John Tavener |
Scatter Roses Over My Tears, A Meditation Over Jalalu D-Din Rûmi,
for string quartet |
|
|
| Anna Thorvaldsdottir |
into – Second Self, für 4 Hörner, 4 Posaunen und 4 Schlagzeuger (Dt. EA)
(Kooperation mit “consord”, Münster)
Hvolf, for Soprano and Piano (Dt.EA) |
|
|
| Galina Ustwolskaja |
Grand Duet, for Cello and Piano
Komposition No.1 “Dona Nobis Pacem“, for ensemble
Komposition No. 2 „Dies irae“ , für 8 double basses piano and wooden box
Oktett
Sinfonie Nr. 5 „Amen“ |
|
|
| Fabio Vacchi |
Luoghi Immaginari / Oktett (for Luigi Nono) |
|
|
| Edgard Varèse |
Octandre, for Ensemble
Intégrales, for Ensemble
Un Grand Sommeil Noir, for Soprano and Piano |
|
|
| Claude Vivier |
Zipangu, for String Orchestra
Piece for Violin and Clarinet
Piece for Violin and Piano |
|
|
| Kevin Volans |
Walking Song
Kwazuluu Summer Landscape (Tape)
White Man Sleeps (1. string quartet) |
|
|
| Anton von Webern |
Fünf Geistliche Lieder
Konzert op. 24
Schmerz, immer blick´nach oben, for soprano and string quartet |
|
|
| Björn Wilker |
Kalte Luft, for bassoon |
|
|
| Iannis Xenakis |
Anaktoria, for ensemble
Psappha, for percussion |
|
|
| Dimitri Yanov-Yanovski |
Awakening, for string quartet
Lacrymosa, for soprano and string quartet |
|
|
| John Zorn |
Amour Fou
Dark River |
